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Tag Archives: Samuel F. B. Morse
Under the Willow Tree: A Schoolgirl Mourning Embroidery
A hauntingly beautiful schoolgirl memorial in Bartow-Pell’s collection has perplexed staff, volunteers, visitors, scholars, and even paranormal investigators for many years. Now, new research has solved some of the mystery. Gilt lettering on églomisé glass tells us that this silk-on-silk … Continue reading →
Posted in Mansion Musings
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Tagged Abigail and Timothy Walker, Abigail Walker Armstrong, Andromache, Charlestown Academy, Charlestown Massachusetts, Childhood mortality in the 19th century, Christian symbols in schoolgirl needlework, Classicism in schoolgirl needlework, Death of George Washington, Dr. William Johnson Walker, Female Academies, Hannah Spofford, Hector and Andromache, Hope and anchor, Iconography in schoolgirl art, Mourning embroideries, Mourning in early 19th-century America, Needlework pictures in New England, Rev. Jedidiah Morse, Samuel F. B. Morse, Samuel Turell Armstrong, Schoolgirl embroideries, Schoolgirl embroideries in New England, Schoolgirl needlework, Schoolgirl needlework memorials in early 19th century, Symbolism in mourning portraiture, Timothy Walker, Weeping willow
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1 Comment
The Bartows and Art: A Lost Portrait, Famous Relatives, and Artistic Neighbors
We don’t know if the Bartow family had an interest in art, but we do know that they lived in the midst of artists, collectors, and a thriving art market. Robert Bartow and Maria Lorillard married in 1827 and set … Continue reading →
Posted in Mansion Musings
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Tagged Asher B. Durand, Bartow mansion, Bartow Portraits, Bolton Priory, Catharine Lorillard Wolfe, Christ Church Pelham, Clarina Bartow Bartow, Edgar John Bartow, Holy Trinity Brooklyn, Hunter Picture Collection, Hunter's Island, James A. Suydam, John Bolton, John Hunter, Maria Bartow Cole, National Academy of Design, Pelham Priory, Reginald Heber Bartow, Robert Bartow, Robert Bolton, Samuel F. B. Morse, Thomas Cole, William Jay Bolton
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mansion musings 